Trent Davis Bailey, a recipient of the Film Photo Award in Spring 2019, embarked on a deeply personal photographic project titled “Son Pictures.” This project delves into his family history, exploring themes of loss, memory, and the enduring power of family connections. This interview with Linda Moses provides insight into Bailey’s creative process and the emotional landscape of his work.
Self-portrait with Kodak Film, Spring 2019 © Trent Davis Bailey
The Genesis of “Son Pictures”
Bailey’s project was born from a desire to grapple with the profound impact of his mother’s death in the United Airlines Flight 232 crash when he was a child. He discusses growing up in an all-male household, the annual road trips taken with his father and brothers, and how these experiences shaped his artistic vision. The project is not solely about the crash, but rather an exploration of his mother’s legacy through her art, family archives, and the enduring presence of her absence.
Kodak Film: A Tangible Link to the Past
Kodak film plays a significant role in “Son Pictures,” connecting Bailey to both his family’s personal archive and the Flight 232 archive at The Sioux City Journal. The prevalence of Kodak negatives in these collections underscores the film’s historical significance in preserving memories. Bailey intentionally utilizes various Kodak film emulsions and formats to engage with his family’s archival materials, creating a dialogue between past and present.
Untitled (Kiss), Colorado, 1985 / © Trent Davis Bailey
Landscape as Sanctuary and Reflection
The landscapes of Lake Placid, where Bailey’s mother is buried, become a central motif in “Son Pictures.” Photographing the natural beauty of the Adirondacks offered a sense of healing and connection. Images of water, reflections, and fog evoke themes of memory, loss, and the cyclical nature of life. These photographs resonate with a quiet intensity, reflecting the artist’s introspective journey.
Portraits of Presence and Absence
Alongside landscapes, Bailey incorporates portraits that further enrich the narrative of “Son Pictures.” Images of his wife, Emma, document her pregnancy and the birth of their son, while photographs of his twin brother, Spencer, symbolize resilience and the enduring bond of brotherhood. These portraits, imbued with tenderness and vulnerability, offer counterpoints to the landscapes, highlighting the intimate connections that shape our lives.
Untitled (Placid), New York, 2019 / © Trent Davis Bailey
Exploring Themes of Breath and Trauma
Bailey discusses the significance of breath in his work, connecting it to themes of trauma, healing, and the human body. The act of breathing deeply, both in photography and in life, fosters clarity and a heightened awareness of the present moment. This emphasis on breath underscores the interconnectedness of the physical and emotional realms.
The Evolving Nature of Grief and Memory
“Son Pictures” is an ongoing project, reflecting the evolving nature of grief and memory. Bailey acknowledges that trauma and loss are not easily overcome but can be integrated into life’s tapestry. The project serves as a testament to the transformative power of art and the enduring strength of family bonds. Through his evocative imagery, Bailey invites viewers to contemplate the complexities of loss, the resilience of the human spirit, and the enduring power of love.
Untitled (Emma with Pitaya), Hawaii, 2019 / © Trent Davis Bailey
