In the world of music, there are moments that define not just the careers of artists but also the very essence of an era. One such moment was when R.E.M. took the stage under the curious name “Bingo Hand Job” for a series of secret acoustic performances in March 1991, just days after the release of their album Out of Time. For many fans, these shows represent an intimate glimpse into a band at the peak of their creative powers, blending casual fun with musical brilliance. But what led to these performances, and what makes them so special?
A Surprising Origin Story
R.E.M. was riding high as their single “Losing My Religion” began its ascent to global stardom. Yet, instead of embarking on a traditional tour, the band opted for a different approach. Peter Buck, the band’s guitarist, described it best: “We were enjoying some of the stuff we were doing in a non-tour type setting.” This lead them to the quaint confines of the Borderline club in London, a venue far smaller than any space R.E.M. would typically fill.
The idea of utilizing a pseudonym originated from the practical need to keep the event under wraps. Buck explained, “It would have been a record company idea, I’m sure.” They decided on “Bingo Hand Job,” a quirky name that stood out and evoked a sense of mischief, perfectly in line with the band’s playful spirit.
The Acoustic Experience
The performances showcased a different side of R.E.M. The setlist mixed acoustic renditions of beloved tracks from their catalog, like the haunting “Perfect Circle” from their debut album, Murmur, and unexpected covers that turned heads and warmed hearts. Mike Mills, the bassist, reflected, “If it was a cover he particularly loved… he would sing it. If it was a cover that I loved or Peter loved, then I would sing it.” This egalitarian approach to song selection contributed to the light, easy-going vibe of those evenings.
Among the covers performed that night, the Johnny Cash classic “Jackson” and Jimmie Dale Gilmore’s “Dallas” stood out. They were spontaneous and, as Mills stated, not heavily planned—just organic moments amplified by the camaraderie within the group.
An Intimate Affair
What made these shows particularly memorable was the intimacy enveloping them. Robyn Hitchcock, the opening act on one of the nights, recounted the atmosphere: “Everyone there was so thrilled to have got into that little club… This was the zenith of R.E.M.’s cool.” The shows exuded an authenticity that larger arena performances often lack. In this setting, the band was relaxed, sharing the stage with friends, enjoying the music they created together, and celebrating their unfiltered love for performance.
Behind the Scenes: Insights from the Band
The interplay between the band members during these performances was a sight to behold. Buck noted, “We never rehearsed doing an acoustic show.” With only a couple of hours to fill, their preparation was minimal. “A lot of it was just a mess,” he chuckled, indicating the carefree nature of the shows. This carelessness, mixed with undeniable talent, created memorable musical moments that were cherished by those fortunate enough to attend.
Their success was not merely in how they executed the music but also in the stories that emerged from their experience. Buck even mentioned the infamous “Bingo Hand Job sanitized for your pleasure” hand towels, which were distributed to early attendees, stirring curiosity and delight.
The Role of the Audience
Audience interaction played a crucial role in the atmosphere of these shows. Mills observed, “I think the crowd likes to express their appreciation for each individual member.” This connection transformed the performance into a communal celebration of music, creating a lasting bond between the band and their fans. The intimate setting allowed fans to engage more directly than in larger venues, where it is easy to feel lost in the crowd.
The Legacy of Bingo Hand Job
As the years have passed, the story of Bingo Hand Job and those fleeting nights at the Borderline has taken on a mythical quality. The release of Live at the Borderline 1991 serves as a reminder of not only the band’s artistic versatility but also the importance of camaraderie in music. This vinyl set allows new generations to experience the joy and authenticity of those performances and reflects the carefree spirit of the times.
Reflecting on the event, Buck reminisced about how “fun” the experience was, hinting at a side of R.E.M. that fans might not always see through their serious public persona. “We always said that people never really got how much fun we were having,” Mills echoed, underscoring the notion that beneath their often contemplative music was a genuinely playful band.
Conclusion: A Time Capsule of Music History
R.E.M.’s performances as Bingo Hand Job represent a unique intersection of artistic expression, friendship, and spontaneity. For those lucky enough to have experienced it, the shows are etched into memory—a moment when a band that would go on to achieve astronomical success shared an intimate setting with their fans, forging a bond that transcended the usual dynamic of performer and audience.
As we celebrate the release of Live at the Borderline 1991, it’s clear that R.E.M.’s venture into the intimate world of acoustic music not only highlights their versatility as musicians but also resonates with the fundamental love of music and community. The legacy of Bingo Hand Job will continue to inspire future generations of music lovers who yearn for that same sense of intimacy and connection in their concert experiences.
