September proved to be a whirlwind of events for the reggae and dancehall music scene, stirring both controversy and celebration. From award show drama to copyright disputes and captivating live performances, the past month has left fans and artists alike reflecting on the genre’s evolving landscape.
JUNO Awards Backtracks on Reggae Category Removal
After facing immense backlash for its decision to remove the reggae recording of the year category from the 2025 JUNO Awards, the Canadian Academy of Recording Arts and Sciences (CARAS) reversed its stance. This decision, met with widespread criticism from artists and fans, initially seemed to disregard the significant contributions of reggae music to Canadian culture.
The controversy sparked conversations about representation and inclusivity within the Canadian music industry, prompting CARAS to ultimately reinstate the category. This move paves the way for future recognition of reggae talent alongside past winners like Leroy Sibbles, Exco Levi, and Kirk Diamond.
Drake’s “Blue Green Red” Vanishes from Streaming: A Copyright Conundrum
Adding to the month’s drama, Drake’s dancehall-infused track “Blue Green Red” disappeared from streaming services, raising questions about copyright and artistic inspiration. The song, which peaked at number 63 on the Billboard Hot 100, allegedly sampled Tiger’s 1991 hit “When” without obtaining proper clearance.
While producer Boi-1da assures fans that the track could potentially return once the legalities are resolved, the situation underscores the complexities of copyright in a globalized music industry. The ongoing dispute centers around the rightful owner of Tiger’s publishing rights, leaving the song’s fate hanging in the balance.
Usher Bridges Musical Worlds with Guest Appearances
Amidst the controversy, moments of unity and collaboration shone through. R&B icon Usher surprised fans during his Past Present Future Tour by bringing out Jamaican music legends for special guest performances. Grammy-nominated reggae star Barrington Levy graced the stage at the final Brooklyn show, delivering soulful renditions of his hits, while Caribbean Music Award winner Masicka ignited the crowd in Toronto with their powerful collaboration.
These collaborations highlight the interconnectedness of musical genres and the power of shared stages in celebrating diverse talents. Usher’s decision to incorporate these Jamaican artists into his tour speaks volumes about the global influence and appeal of reggae and dancehall music.
Billboard Spotlights Emerging and Established Talent
Billboard continued its dedication to showcasing the genre’s vibrancy with its monthly Reggae/Dancehall Fresh Picks column and Spotify playlist. Highlighting a diverse array of artists, from Hawaiian reggae band Azato to Guyanese dancehall artist Bamby, the platform provides a global stage for both established stars and rising talents.
Featured artists delivered a range of sounds, reflecting the genre’s ongoing evolution. Azato’s “Disconnect to Connect” offered a timely message about the overreliance on technology, while Runkus and Royal Blu’s “No Long Talking” infused drill elements into their dancehall sound.
Vybz Kartel’s Return Marks New Chapter
Vybz Kartel’s long-awaited release from prison marked a pivotal moment for dancehall music. The artist, considered a pioneer and innovator within the genre, wasted no time in reclaiming his space with a series of new releases.
His latest single, “The Comet,” serves as a bold statement of his return, showcasing his signature lyrical prowess and captivating flow. As Kartel prepares for his highly anticipated stage comeback in Jamaica, the dancehall scene eagerly anticipates his future contributions and the impact of his return on the genre’s trajectory.
A Month of Reflections
September’s events have left an undeniable mark on the reggae and dancehall music landscape. From sparking conversations about representation and copyright to celebrating the genre’s global influence, the past month has underscored the dynamism and resilience of this ever-evolving music scene.
As artists continue to push boundaries, collaborate across genres, and navigate the complexities of the music industry, one thing remains certain: reggae and dancehall music will undoubtedly continue to captivate audiences worldwide.
Frequently Asked Questions
- What prompted the JUNO Awards to remove and then reinstate the reggae category?
The initial decision to remove the category was met with significant backlash, prompting discussions about representation and the category’s cultural significance. CARAS ultimately reversed its decision in response to public pressure and concerns about inclusivity.
- Why is Drake’s “Blue Green Red” no longer available on streaming platforms?
The song’s removal stems from allegations of uncleared sampling of Tiger’s 1991 track “When.” The ongoing dispute revolves around the rightful owner of the original song’s publishing rights, hindering the resolution of the copyright claim.
- What makes Vybz Kartel’s return to music significant?
Vybz Kartel is widely regarded as a transformative figure in dancehall music. His release from prison and subsequent return to music have generated immense excitement and anticipation within the genre, with fans eager to witness his influence on its future direction.
- How does Billboard contribute to the visibility of reggae and dancehall music?
Through its monthly Fresh Picks column and curated Spotify playlist, Billboard provides a platform for showcasing both emerging and established artists within the genre. This exposure contributes to the global reach and recognition of reggae and dancehall music.
- What are some of the key themes explored in recent reggae and dancehall releases?
Recent releases have delved into themes of self-awareness, social commentary, love, and lust. From Azato’s reflections on technology overuse to Shenseea’s assertion of female empowerment, the genre continues to grapple with relevant and relatable topics.
